Sanam Re 1st Day Box Office Collection 12 Feb Friday Collection

Sanam Re 1st Day Box Office Collection 12 Feb Friday Collection, Sanam Re 12th February 2016, Sanam Re Collection Sanam Re Box Office Prediction Total Collection Analysis

Sanam Re 1st Day Box Office Collection 12 Feb Friday Collection

Desires

Desires are truly high from the soundtrack of Sanam Re. All things considered, Divya Khosla’s last directorial excursion Yaariyaan had great music, and the melodies are played till date. Additionally, she has an eye for visuals and the promos of Sanam Re have officially demonstrated that she has gone to the following level. With numerous authors and lyricists available to her, she concocts a musical again that has upwards of eight tracks.

MUSIC

The collection gets a phenomenal begin with the title track ‘Sanam Re’ that has chartbuster composed on top of it. A perfectly created and composed piece by Mithoon which makes them accomplice with Arijit Singh as a vocalist as well, it is effortlessly the best tune that one has heard in the New Year as such. With a trademark Mithoon stamp to it, the tune is as excellent and pleasant as it gets and has the orientation to be immense in speedy time.

Amaal Mallik, who is currently turning into a positive must in the majority of the soundtracks being discharged, gets upwards of three to his name in Sanam Re. To begin with to arrive is ‘Gazab Ka Hain Yeh Din’ which has a sound, subject and feel totally not the same as the namesake number that was heard in Qayamat Se Qayamat Tak more than a quarter of a century prior. This time around, the vibe is a great deal more energetic and Amaal Mallik alongside lyricist Manoj Muntashir gets this flawlessly well with Arijit Singh as the right decision for the vocalist.

Sanam Re 1st Day Box Office Collection 12 Feb Friday Collection

Amaal Mallik sets up with sibling Armaan Mallik for Manoj Yadav composed adoration melody ‘Hua Hain Aaj Pehli Baar’. With an outright “desi” feel to it, it is entirely simple on ears and takes after a melodic methodology. Indeed the minutes where Palak Muchhal joins the scene, the tune turns further Bollywood-ish. Additionally, amid the “antara” parts, Manoj essentially composes this one as a Sameer tune regarding structure and words.

While the whole soundtrack has a sweet vibe to it, there is a gathering number which comes in irregularly. This was basically on the cards too since Yaariyaan had a few such chartbuster tunes (‘Sunny’, ‘ABCD’) and it was inescapable that Sanam Re won’t have one. All things considered, ‘Humne Pee Rakhi Hai’ basically takes the convention forward and doesn’t disillusion by any means. With appealing outsmarts and an addictive snare line, this tune made by Epic Bhangra and composed by Ikka and Kumaar, is given the right spunk, politeness Jaz Dhami and Neha Kakkar who are in finished structure here. Chartbuster in transit.

Amaal Mallik returns on the scene with Manoj Muntashir composed ‘Kya Tujhe Ab Ye Dil Bataye’ which takes one back to song. An affection melody which takes after the conventional methodology with regards to structure, verses and singing, it has a 60s vibe to it as far as its pace and setting. All things considered, the courses of action are from the present times and Falak Shabbir wells as a vocalist to keep you drew in while the melody plays.

In the mean time, Ankit Tiwari gets one to his name and in addition he sings ‘Tere Liye’ which is composed and made by Mithoon (who likewise contributes behind the mike). A moderate moving number with a thoughtful vibe to it, this one is a situational number which falls into the Bollywood layout of lovelorn numbers with ‘jeene marke ki kasme’ and stuff alike.

Nikhil-Vinay’s great melody ‘Tum Bin Jiya Jaaye Kaise’ from Tum Bin is returned to by Jeet Gannguli and the writer thinks of his own adaptation ‘Tum Bin’, which is re-composed by Rashmi Virag. The most experienced artist of the parcel, Shreya Ghoshal, is reserved in for this affection tune that moves at a further moderate pace. Just like the case, correlations are unavoidable which implies it would require some investment before this new form figures out how to make you push forward of the 2001 melody.

The collection closes on a perky note with Shaan restricted in by Jeet Gannguli for Manoj Muntashir composed ‘Chhote Tamashe’. With a 60s vibe to it, this one has a young vibe to it and makes one recollect the sort of tunes that were the sign of Shammi Kapoor, Biswajeet and Joy Mukherjee movies from the time passed by.

In general

The music of Sanam Re is the ideal begin to the New Year as it brings on a blend of affection tunes, miserable trips, and lively advance and obviously a move number to round it up all. The producers have a champ in hands with this soundtrack and with an encouraging start effectively taken, obligingness two or three chartbusters on the play, this one would just discover included perceivability in next couple of weeks to come.

OUR PICK(S)

‘Sanam Re’, ‘Gazab Ka Hain Yeh Din’, ‘Humne Pee Rakhi Hai’, ‘Hua Hain Aaj Pehli Baar’

A film industry examiner who wishes to stay unknown says, “Fitoor has fetched around 45 crores to make, which is a costly item for a film that stars Aditya Roy Kapoor. Roy Kapoor has had no accomplishment since Aashiqui 2. His one discharge from that point forward Daawat-e-Ishq was an immense failure.

Onto alternate on-screen characters in the film. Tabu is an incredible performing artist, yet she is no film industry draw. Katrina Kaif is the main star-fascination in Fitoor. This film is significant for her, as it is her first genuine endeavor to solidify her profession after her own misfortunes.”

Katrina Kaif was supposed to be floating towards home life when her association with performer Ranbir Kapoor hit rough climate.

“Sanam Re would be much less demanding to succeed in the cinematic world. Its stars were paid a generally little sum. The executive Divya Khosla Kumar had a fruitful film Yaariyaan in 2014, so she knows how to associate with the youths,” he includes.

“Both Fitoor and Sanam Re are diverse sorts and ought to discover a crowd of people. It’s the season of fascinating movies and the gathering of people is prepared to spend cash if the informal exchange is sure,” says exchange master Taran Adarsh.

“It is hard to say which of the will perform better. I trust both do well. The class are same….intense love stories. The executives of both have given hits in past. Sanam Re has favorable position in that its music has picked up prevalence. The hostility in advancing the film is obvious. Yet, one thing is clear that both the movies would be visual joys. The beautiful areas are caught innovatively in both,” includes Atul Mohan editorial manager of the exchange paper ‘Complete Cinema’.

Anil Thadani, a main merchant of Mumbai, feels both the movies could do well, “Why can’t both movies do well? They ought to. That would advantage everybody.”

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