Mohenjo Daro 4th Day Box Office Collection 15 Aug Monday Collection

Mohenjo Daro 4th Day Box Office Collection 15 Aug Monday Collection, Mohenjo Daro 15th August 2016, Mohenjo Daro Collection Mohenjo Daro Review Public Response Rating Total Collection Report

Mohenjo Daro 4th Day Box Office Collection 15 Aug Monday Collection

Ashutosh Gowariker doesn’t give things a chance to like “authentic incorrectness” come in the method for his epic vision!

No big surprise then that Mohenjo Daro, set in 2016 BC, resembles an ensemble party happening in 2016! The interesting headgears, silly melody move successions and the drudgery of an apparently unending account set forth in luxurious edges does valuable little to hold our consideration.

The film won’t just test your understanding additionally your devotion towards Hrithik Roshan. Pull out all the stops at your own particular danger! I have rather liberally figured out how to uncover 2 quints for this dull adventure.

It was pitched as the fight royale in the cinematic world: Akshay Kumar’s Rustom and Hrithik Roshan’s Mohenjo Daro clashing in the cinematic world.

At the point when both movies opened at theaters on the morning of 12 August, Friday, each ran in with both qualities and shortcomings.

Mohenjo Daro 4th Day Box Office Collection 15 Aug Monday Collection

From one viewpoint, both Akshay and Hrithik were profoundly attractive stars — be that as it may, while Akshay has reliably conveyed film industry hits in the later past, Hrithik hadn’t been seen on the extra large screen after Bang in 2014. It must be noted here that the film, a change of Knight and Day, netted over Rs 180 crore in the cinematic world.

Proceeding onward to the chiefs, Mohenjo Daro certainly had a greater and more regarded name in Ashutosh Gowariker; Rustom’s Tinu Suresh Desai had helmed stand out motion picture beforehand, and that was 1920: London. Once more, Gowariker’s last two movies haven’t done well basically, or economically (What’s Your Rashee and Khelein Hum Jee Jaan Sey).

What were alternate focuses working in every film’s support?

For a definite examination of the focuses in Rustom and Mohenjo Daro’s support, read this story on Firstpost.

Rustom had produced a high measure of interest, due to its topic (the KM Nanavati versus State of Maharashtra case), Mohenjo Daro, with its verifiable setting, was the subject of much interest.

In any case, when both movies neared their discharge date, the buzz around Rustom — whether that was an outcome of the film truly appearing to be more intriguing than Mohenjo Daro, or the aftereffect of a smart showcasing system, or even the vicinity to Independence Day suiting the enthusiastic subject of Akshay’s film more — had achieved fever pitch. The same couldn’t be said of Mohenjo Daro (read the Firstpost report on it here).

So exactly how could this effect the opening day film industry accumulations of both movies?

Indeed, to place it in a sentence: Rustom is driving, yet Mohenjo Daro is not trailing too a long ways behind.

Similar quantities of screens and inhabitance:

Both Rustom and Mohenjo Daro opened in a similar number of screens. Rustom figured out how to secure around 2,300 screens while Mohenjo Daro has a somewhat higher number, at 2,500. In any case, as far as footfalls to the theaters on the very beginning, it has leveled out. Most exchange sources have pegged the inhabitance rates for Rustom at 45-50 percent — which is quite useful for a working day, Friday. Then again, Mohenjo Daro had an inhabitance rate of around 35 percent, with a few reports evaluating it at 40 percent.

In cash terms, that sums to:

Rs 15 crore for Rustom, and around Rs 8-10 crore for Mohenjo Daro. Those are the opening accumulations exchange specialists and wholesalers have cites for both movies. Exchange expert and proofreader of Komal Nahta says Rustom has given Akshay his second most elevated opening in the cinema world after Airlift.

Where are these movies doing admirably?

Rustom has done well in Mumbai and Delhi, be that as it may, reaction to the film in the South focuses has been depicted as “tepid, best case scenario. With Mohenjo Daro, it is the inverse case — it’s been gotten preferable in the south over in the north regions.

Discussion about financial planning?

Rustom was made at a financial plan of Rs 50 crore. So turning a benefit for this Akshay film shouldn’t be troublesome. There are no affirmed reports about the financial plan for Mohenjo Daro. Filmfare assessed it around Rs 100 crore — yet Ashutosh Gowariker Productions hasn’t discharged any illumination on those figures.


Both Rustom and Mohenjo Daro now have three days to substantiate themselves in the cinematic world, and capitalize on a long weekend. With Saturday and Sunday (13-14 August) trailed by an open occasion for Independence Day, there will be a lot of chance for groups of onlookers to run to the theaters, and they will have two generally distinctive movies to browse.

Exchange specialists have anticipated that by 15 August, Rustom could conceivably acquire around Rs 40-50 crore. For Mohenjo Daro, a considerable measure relies on upon the verbal exchange and surveys, with assessed income pitched at Rs 20-30 crore for the Hrithik Roshan-Pooja Hegde chronicled.

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