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he film is to some degree endurable till the interim on account of Randeep and Kajal’s science, feels Namrata Thakker/Rediff.com.
Performing artist turned-producer Deepak Tijori has coordinated movies like Oops!, Fareb and Tom Dick And Harry yet none of them has awed the group of onlookers or the faultfinders.
Unfortunately, his most recent endeavor, Do Lafzon Ki Kahani – a romantic tale featuring Randeep Hooda and Kajal Aggarwal – will join the temporary fad.
Storywise, the film has just the same old thing new to offer in the sentimental type. It appears as though the executive is stuck in the 1990s and has joined each threadbare Bollywood component in his film.
While Do Lafzon Ki Kahani has great music and a fabulous on-screen character like Randeep, it doesn’t compensate for the provisos in the script.
Sooraj (Randeep) is a boxer who has resigned from the calling because of a setback. He now does three distinctive occupations as a profession.
His life changes when he meets the outwardly impeded Jenny (Kajal), a sporty young lady who adores talking. Their identities are absolutely inverse thus clearly, they wind up falling for each other. All things considered, opposites are inclined toward one another!
With Jenny in his life, Sooraj chooses to give boxing another chance so he can have an ordinary life.
Do Lafzon Ki Kahani 3rd Day Box Office Collection 12 Jun Sunday Collection
In any case, his arrangements change when he discovers that he is halfway in charge of Jenny’s loss of sight. Sooraj now needs to make things right by helping Jenny see once more.
The operation requires a great deal of cash yet Sooraj is prepared to go to any length for the love of his life.
Will Sooraj succeed in helping Jenny? Will their romantic tale have a cheerful consummation? You will need to watch the film to discover be that as it may, trust me, it’s not justified, despite any potential benefits.
The principal half of the film essentially sets up the romantic tale amongst Randeep and Kajal’s characters. Their science is adorable and two look great together.
Truth be told, the film is to some degree endurable till the interim as a result of Randeep and Kajal’s science. Be that as it may, execution astute, it’s the Sarbjit performing artist who emerges. Obviously Randeep has offered everything to the part. The boxing scenes are a visual treat, so is the general activity. He is great in sentimental scenes also. What lets him down is the story.
It’s dismal to see such a decent entertainer squandered in a film that simply doesn’t do equity to his acting capacities.
Kajal, then again, is average yet there is not a lot to brag about in her execution.
The altering is messy and there are many scenes that appear arbitrarily, having neither rhyme nor reason in the story. The plot is unsurprising thus Bollywoodish that, after a point, I simply couldn’t have cared less where the film was going.
Give this film a miss and express gratitude toward me later.
With respect to Deepak Tijori, I figure he will need to hold up somewhat more before he tastes accomplishment as a movie producer.